• HOUSE 2 / THE TRANSMITTER

    Par abbas oria, Arno Wust, barbey samuel, bosshard cedric, boxebeld carlotta, carriere celine, farrell marie-ange, fleury yan, pagano antonio, Quentin Paillat, silva gabriel, sordet basile, tarditi davide, 01/04/17


    / maquette 1:10



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    / maquette 1:5



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    / maquette process 1:10



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    / structure


                                           


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    / mécanismes




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    / sols et garde-corps




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    / axonométrie 

      



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    / étude du temps de montage



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    / implantation dans le site



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    / installation sonore

    // sol



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    // construction du mock-up 1:1



                                     






    // recherche


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    En recyclant le moteur d'un haut-parleur, nous avons créé un dispositif qui,

    lorsqu'il est en contact avec une surface, transmet des vibrations à celle-ci.

    Les vibrations de la surface produisent du son.


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    // proposition 1


    Utilisation de la proto-structure comme instrument dont les vibrations émises par le contact du corps sont transformées en son par des micros intégrés au parois.


    // proposition 2


    Récepteurs sonores dans la proto-structure qui retranscrivent le son en intensité lumineuse. Selon la densité de sons sur le site, la lumière varie.


    / échafaudage pour le workshop



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    / montage des proto-structures


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    / gabarits

                               gabarits de construction des proto-structures 1/5



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    / catalogue


              
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    / modélisation 3D 



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  • /Zurich Situation Drawing

    Par abbas oria, Arno Wust, barbey samuel, bosshard cedric, boxebeld carlotta, carriere celine, farrell marie-ange, fleury yan, pagano antonio, Quentin Paillat, silva gabriel, sordet basile, Stephane Grandgirard, tarditi davide, ulrich Sarah, 24/03/17

    Image Fri Mar 24 2017 16:48:57 GMT+0100




  • Exquisite Corpse

    Par fleury yan, sordet basile, Stephane Grandgirard, 28/02/17

    This porject is about creating a space of transition, but also a space of graphic or artistic intervention.

    It organizes the passage by creating a sensorial and visual experience.

    The visitor, by walking through the installation, alters the visual composition of the spinning boards.

    Also, the project gives the opportunity to the user to requestion the notion of passage.

    The boards, by their rotation, can create really narrow spaces in which the density can be really high.

    The user must then engage a negociation of space.

    The notion of Inside/Outside is also very important in this project.

    If we are outside of the construction, we have before our eyes a moving and changing exhibition, but if we're inside, we have ourselves a spacial experience.

    However we can't experiences these two feelings at the same time.





    /Final Week 


                    //1:66 Situation

    Image Fri Mar 24 2017 16:08:01 GMT+0100

    The project is located in the ways that it can be seen from the more diverse point of view possible and available on the site.

    Also, the graphic composition that are on the boards can be in relation with what takes place under the bridge, such as spray paint, or with what takes place in the ZHdK.



                    //1:20, 1:10 & 1:5 Construction Drawings

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                    //1:10 Rotation and Space Study

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                    //1:10 Scale Model

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    Image Thu Mar 23 2017 17:20:19 GMT+0100

    1:10 scale final wooden model


    / Week 3

                    // Process

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                    // Details


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    1:10  Spinning board construction detail model


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       Spraypaint elaboration of an exploration of the idea of exquisite corpse on the 1:10 model




                    //Grafic research

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    / Week 2


                     // Détails

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    1:10 Scale evolution of the construction model



                        

                    //Grafic research

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    / Week 1


                    //Inspiration



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                                        Room with 25 doors  by treero                      Porte, 11,Rue Larrey by Marcel Duchamp      




                    //Details

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    1:100 scale model



    Image Sun Mar 12 2017 04:40:09 GMT+0100

    Image Sun Mar 12 2017 04:40:09 GMT+0100
    1:10 Scale construction model









  • /PLANES : SEQUENCES - FINAL

    Par sordet basile, 19/12/16

    Exploration of density and textures using the f r a g m e n t a t i o n then bursting of a closed space, creating a possibility of having new spaces between each threshold, each one getting bigger and bigger.

    The fragmentation is produced by the verticals of the proto-strucutre, and the bursting by the exponential spacing between those.The protostructure, besides its structural role, is literraly a "space cutting" machine.

    The increasing depth generated by these actions (which we could easily imagine becoming infinite if we enlarged the protostructure even more), reinforced by the non-linear geometry and the texture of the plaster, creates a new fiel of exploration for the user to experience, showing him a space that once was easy to define, now seams open to imagination and endless.

     

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                                                    Plaster model incerted into the proto-structure (1:20 scale)


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                                The depth of the closed space is extended by the space generated by the facing project                                                                                       (1:20 scale) 


                         


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                                The proto-structure fragments the volume as it fragments the field of view (1:20 scale)


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                            Important density becoming lighter due to the exponential dilatation (1:20 scale)


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                        Monge projection (longitudinal cut and plan) showing the fragmentation/dilatation (1:20 scale)


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                     Monge projection (plan and longitudinal cut) showing a form research based on the proto-structure

                                             dialoguing with a less recent approach of the project (1:66 scale)



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                                                    axonometric projection of the protostructure's conception





                                       Visual interpretation of an exponantial fragmentation on a human body

  • /PLANES : SEQUENCES

    Par sordet basile, 28/11/16

    /week 3

    affining the sequence to get to a more fragile and subtile approach which also plays with the dimensions of the proto-structure.



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    /week 2 

    the focus was set on a sequence of doors that when looked at, through a certain angle (the painter's one as it happens in the painting), gives you a view of the depth of a hallway that disapears when the angle is changed.

    The idea was to repeat this set of doors so that the hallway could be extended an infinite amount of time.

    Also, the plaster was at first builded in one block, and then separated into three blocks, which brings a view of how the sequence is created (by cutting) which also gives a specific look and texture to the plaster. Moreover, it shows us how the space beetween the three new blocks, when changed, interacts differently with the dept of the hallway, the view and the feeling of an human being that would be in this space.




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                                                                   plaster, outside view


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                                                                   plaster, inside view



                    Image Mon Nov 28 2016 12:31:32 GMT+0100


                                          plaster, outside view, free interpretation and contextualisation




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                                                              construction monge projection