• Murmures

    Par Elisa Nadas, Ella Bacchetta, 21/05/19

    De loin, trois verticales cadrent l’horizon

    et dessinent l’espace.

    La légère courbe du terrain souligne la composition.

    Deux chemins s’offrent à moi

    L’un intime et opaque

    L’autre lumineux et engageant.

    Finalement, j’entre, le rythme s’accélère.

    De chaque côté, je déambule.

    J’avance, guidé.e par la convergence des lignes.

    La hauteur des murs dressés à mes côtés m'enivre.

    Je m’allonge,

    Bercé.e par la lumière qui caresse mon visage.

    J’entends le dialogue de deux ouvertures

    J’ouvre les yeux.

    Je suis désormais à découvert.

    Image Tue May 21 2019 19:27:06 GMT+0200 (CEST)

  • Evolution des détails

    Par Ella Bacchetta, 21/05/19

    Après avoir changé de noeud, nous avons repensé les détails.

    Image Tue May 21 2019 19:15:21 GMT+0200 (CEST)


    Par Raphaël Staubli, 19/05/19


    The verticality, fragile and thin, emerging in the protostructure, need to be strengthened with some diagonal. This primordial issue needs to make the project stable without altering the project. This require discussions with the ingenieur and research in drawing.

    Plan and transversal sections (1:20)

    Image Sun May 19 2019 21:36:21 GMT+0200 (heure d’été d’Europe centrale)


    In parallel, structural elements, roof, and diagonals are getting prefabricated at the EPFL. A planning for the five days on the construction site is also done, revealing the real challenge oncoming.

    Image Sun May 19 2019 21:36:21 GMT+0200 (heure d’été d’Europe centrale)

  • Windy walls

    Par Hugo Cabaret, 18/05/19

    While we were doing the prefabrication of our frames, we needed to send the final Rhino file to the engineer in order to have his agreement to build our project. We did a skype with him to see the load descent in the proto.

    At first, when he used our system of bracing and kept our wall at height meters high, we had 1800 kilograms at the left foot of the protostructure.

    The engineer, Stephan and Teresa helped us to change something, like the bracing or the walls, in order to reduce the weight that went down to the foot. 

    At the end of the Skype, we made a strong decision but we all agreed that it would be even better than before. The solution was to low down our walls. Given that we had already made every frames, we chose to take away one series of frames for every walls, which means that every walls was 1.66 meters lower. This choice allows us to have not so much bracings, and allows us to keep the energy of the project, which is the space that are created inside those vertical walls. What's even nicer is that the horizon with the Marechal's screen showed up again, and the link with their project is stronger than before.

    Here is the scheme of the load descent that the engineer sent us when our walls were shorter.

    We still have 650 kilos that goes down to the left foot of the proto, but we are going to dig 50x50x50 holes to put the proto inside and then put concrete.


  • Prefabrication

    Par Hugo Cabaret, Audrey Wurges, Charles Darrousez, Elisa Nadas, Ella Bacchetta, Eric Gozzi, Gabrielle Chilinski, Hugo Lavorel, Jérôme Margueron, Léo Ornstein, Malak Abdelhady, Philippe Jenny, Raphaël Staubli, Stephen Bopeso, Victor Duchastel De Montrouge, 17/05/19

    The last week before going in Evian, which is the fifth week for the House phase, we all worked on doing the prefabrication. We started by going couple times at the cutting site, we used the measures of our drawings and of our Rhino files.

    We then made some templates to assemble our frames with a right angle and with the correct distance. 

    We then all screwed our frames. All our frames are built in a way that every horizontals sits on the horizontals of the proto, and that it won't be too heavy to lift it up.


    (Having some fun making the template with Leo)


     (Screwing our double width joist)


    (placing our frames in the template with Charles and Philippe)